Paradise (Flight, Wind, Mix)
Regina Silveira
COMPLETION DATE
2024
LOCATION
George Bush Intercontinental Airport, D-West Pier
2800 N Terminal Rd
Houston, TX 77032
District B
CLIENT
City of Houston
SPONSORING DEPARTMENT
Houston Airport System
PROJECT BUDGET
$860.000.00
Photo: Shau Lin Hon, Slyworks Photography 2024
Regina Silveira – Paradise (Flight, Wind, Mix)
The largest of the new installations at the D-West Pier, Paradise (Flight, Wind, Mix), by Brazilian artist Regina Silveira, plays with scale and movement through a three-part installation composed of digitally printed laminated glass elements suspended from the ceiling and affixed to the wall and intricately designed terrazzo floor situated below. Inspired by the delicate forms of butterflies in flight, Silveira uses light and shadow to imbue the sculptures with a sense of movement, creating an immersive environment that invites viewers to contemplate the interconnectedness of nature, flight, and freedom.
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HAA oversaw the artist selection, design, fabrication, and installation process for this artwork. Working diligently with sponsoring city departments, Mayor’s Office of Cultural Affairs, and the selected artists, HAA created and publicized the opportunity, coordinated the panel process, managed artist communications, and monitored on-site installation. Recommendation reports were submitted at the conclusion of Artist Selection and Design phases, and a robust closeout report was provided upon project completion detailing project summary and ongoing maintenance requirements.
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The Houston Airport System (HAS) is the City of Houston’s Department of Aviation, comprised of George Bush Intercontinental Airport, William P. Hobby Airport, and Ellington Airport/Houston Spaceport. The System served 54 million passengers in 2022 and nearly 60 million in 2019. HAS positions Houston as the international passenger and cargo gateway to the South-Central United States and as a primary gateway to Latin America. It contributed $36.4 billion to the local economy in 2019 and is responsible for creating 190,000 jobs.
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This project was funded through Houston’s Civic Art Ordinance, which requires 1.75% of the budget for eligible City-funded construction projects to be spent on integrating artwork and artists' ideas in public spaces and conserving the City of Houston’s Civic Art Collection. The Houston Arts Alliance administers the civic art program for the City of Houston Mayor’s Office of Cultural Affairs.
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ARTS REPRESENTATIVES/PANELISTS
Alison de Lima Greene, Isabel Brown Wilson Curator of Modern and Contemporary Art, Museum of Fine Arts, Houston
Melanie K. Brown, Division Manager for Customer Service, George Bush Intercontinental Airport
Andrew Czobor, Assistant Director, Terminal Management, Terminal D, George Bush Intercontinental Airport
Felicia Kizzie, Secretary, Heather Ridge Village Homeowners Association
Naiomy Guerrero, Graduate Center Teaching Fellow, The City College at The City University of New York
Nicole Mullen, Curator of Exhibitions at SFO Museum at the San Francisco International Airport
Nominating Committee
Christian Wurst, Assistant Curator of Exhibitions at the Sheldon Museum of Art
Marcela Guerrero, Jennifer Rubio Associate Curator at the Whitney Museum of American Art
Mari Carmen Ramirez, Wortham Curator of Latin American Art at the Museum of Fine Arts, Houston
Rita Gonzalez, Terri and Michael Smooke Curator and Department Head of Contemporary Art, Los Angeles County Museum of Art
Artist Bio
Regina Silveira (b.1939) was born in Porto Alegre, Brazil and lives in São Paulo. Throughout more than four decades, Silveira, a critical figure in Brazilian conceptual art, has investigated the tension between movement and spatial perspective, threading political meaning into installations that respond to specific sites. In the 1950s she began her artistic training under the tutelage of expressionist Brazilian painter Iberê Camargo, studying lithography and woodcut, as well as painting. Renowned for her parodic explorations of space through geometric constructs, Silveiraʼs work is celebrated for both its conceptual rigor and formal impact.